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To create figurative aesthetics through geometric combination, I used the light trace drawing performance.

It began a series of cinematography that I shoot during my long period of travelling.

I found fascinating about the overlapped spread of light, specifically several lines and circles. 

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The existence of invisible, intangible stuff from each motion of the light that I made, and every single spontaneous movement of my body but the (long-exposure) time. Eventually all of those are pilled up step by step and combined into one image. I was eager for expression of those invisiblities not just from what it seem to be.

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